![]() ![]() To mitigate these challenges, performers sometimes remove one earcup to attenuate their feeling of exclusion from the acoustic environment or to compensate for the lack of externalized sources that wearable monitoring devices as opposed to onstage speaker monitors induce. Moreover, headphone monitoring obstructs collective soundscapes and established ways of listening and playing music together. As another example, the absence of direct auditory feedback compromises “the production of high-quality trumpet tone is achieved by a combination of the correct vocal tract position, the lip-reed mechanism, and the player’s breath control”. For instance, singers “suffer the most from the dislocation of sound that headphones engender because the sound is produced in their bodies, resonating in the chest cavity and sinuses”. By covering their ears, headphones also jeopardize musicians’ ability to control the parameters of their sound production. Indeed, wearable monitoring devices disturb the physical and technical ease that performers have acquired over a long, multi-sensory process to play their instruments or conduct ensembles at their best level. While musicians are performing on stage or in the studio, monitoring on headphones interferes with their instrument embodiment, the auditory feedback of their sound within room acoustics, and their interactions with other musicians. Findings also demonstrate that the reduction of source masking effects in binaural versus stereo headphone mixes enables performers to monitor less click track, and therefore protect their creative experience and aural health. Findings concur to show that better audio intelligibility and recreated natural-sounding acoustics through binaural rendering enhance performers’ listening comfort, perception of a realistic auditory image, and musical expression and creativity by increasing their feeling of immersion. These studies assessed three solutions combining augmented and mixed reality technologies that include binaural with head tracking to conduct a large film-scoring orchestra and jazz symphonic with a click track binaural without head tracking to improvise in trio or on previously recorded takes in the studio and active binaural headphones to record diverse genres on a click track or soundtrack. This chapter discusses the approaches and outcomes of eight case studies in professional situations that aimed at comparing the experiences of orchestra conductors and instrumentalists while monitoring their performances through binaural versus stereo headphones. Also, high levels of click tracks in headphone mixes hinder performance subtleties and harm performers’ aural health. It does not store any personal data.Musicians face challenges when using stereo headphones to perform with one another, due to a lack of audio intelligibility and the loss of their usual benchmarks. The cookie is set by the GDPR Cookie Consent plugin and is used to store whether or not user has consented to the use of cookies. The cookie is used to store the user consent for the cookies in the category "Performance". This cookie is set by GDPR Cookie Consent plugin. The cookie is used to store the user consent for the cookies in the category "Other. ![]() The cookies is used to store the user consent for the cookies in the category "Necessary". The cookie is set by GDPR cookie consent to record the user consent for the cookies in the category "Functional". The cookie is used to store the user consent for the cookies in the category "Analytics". These cookies ensure basic functionalities and security features of the website, anonymously. Necessary cookies are absolutely essential for the website to function properly. So he just pretends that you are in a space you are not physically present at all. ![]() He creates a fictitious world around you in which your sound image changes based on your viewing and listening direction. From that, your brain makes a perception. Your left and right ear perceive different frequencies, which you do hear simultaneously. You don’t have to do anything for that yourself. The binaural technique makes brilliant use of how your brain works. What you do need is a good sound engineer. ![]() With binaural you don’t need that at all to experience an immersive sound. 3D evokes the idea of supersonic surround systems. Binaural sound recording is done with only two channels, a right channel and a left channel. 3D audio and binaural, that’s not necessarily the same thing. It is often referred to under the same heading as 3D audio. Binaural means that your “two ears” each perceive sound separately. ![]()
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